Hitchcock's People, Places, and Things

Argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock's films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically.

Sustine ca Alfred Hitchcock a fost la fel de mult un regizor de lucruri si locuri, precum si de oameni. Pornind de la gandul lui Bruno Latour, John Bruns urmareste relatiile complexe ale agentilor umani si neumani din filmele lui Hitchcock cu scopul de a cartografia peisajul Hitchcock in mod cognitiv, afectiv si politic.