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Recording Machine


Disponibilitate: LIVRARE IN 2-4 SAPTAMANI (produsul este livrat din Marea Britanie)

SKU:
9780300187274

301,99 RON
Okian.ro este o LIBRARIE online de carte in limba engleza.
A revealing look at the irrevocable change in art during the 1960s and its relationship to the modern culture of fact

This refreshing and erudite book offers a new understanding of the transformation of photography and the visual arts around 1968. Author Joshua Shannon reveals an oddly stringent realism in the period, tracing artists’ rejection of essential truths in favor of surface appearances. Dubbing this tendency factualism, Shannon illuminates not only the Cold War’s preoccupation with data but also the rise of a pervasive culture of fact.

Focusing on the United States and West Germany, where photodocumentary traditions intersected with 1960s politics, Shannon investigates a broad variety of art, ranging from conceptual photography and earthworks to photorealist painting and abstraction. He looks closely at art by Bernd and Hilla Becher, Robert Bechtle, Vija Celmins, Douglas Huebler, Gerhard Richter, and others. These artists explored fact’s role as a modern paradigm for talking, thinking, and knowing. Their art, Shannon concludes, helps to explain both the ambivalent anti-humanism of today’s avant-garde art and our own culture of fact.

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Autor Shannon, Joshua
Editura Yale University Press
Dimensiuni 263 x 187 x 22
Data Publicarii 04/07/2017
Format Cartonata
Numar pagini 240
Descriere RO O privire revelatoare asupra schimbarii irevocabile a artei din anii 1960 si a relatiei sale cu cultura moderna a faptului. Aceasta carte racoritoare si erudita ofera o noua intelegere a transformarii fotografiei si a artelor vizuale in jurul anului 1968. Autorul Joshua Shannon dezvaluie un realism ciudat de strict in aceasta perioada, urmarind respingerea de catre artisti a adevarurilor esentiale in favoarea aparitiilor de suprafata.
Aceasta este o carte in limba engleza. Descrierea cartii (tradusa din engleza cu Google Translate) este in limba romana din motive legale.
O privire revelatoare asupra schimbarii irevocabile a artei din anii 1960 si a relatiei sale cu cultura moderna a faptului. Aceasta carte racoritoare si erudita ofera o noua intelegere a transformarii fotografiei si a artelor vizuale in jurul anului 1968. Autorul Joshua Shannon dezvaluie un realism ciudat de strict in aceasta perioada, urmarind respingerea de catre artisti a adevarurilor esentiale in favoarea aparitiilor de suprafata.
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