ALL SHIPS FOLLOW ME

In the spirit of Susan Faludi's In the Darkroom and Edmund de Waal's Hare with the Amber Eyes comes an engrossing, epic saga of one family’s experiences on both sides of World War II, questioning our notions of victim and perpetrator and the lasting effects of war and trauma through the generations of one family.


In March 1942, Mieke Eerkens’ father was a ten-year-old boy living in the Dutch East Indies. When the Japanese invaded the island he, his family, and one hundred thousand other Dutch civilians were interned in a concentration camp and forced into hard labor for three years. After the Japanese surrendered, Mieke’s father and his family were set free in a country that plunged immediately into civil war.

Across the globe in the Netherlands, police carried a crying five-year-old girl out of her home at war’s end, abandoned and ostracized as a daughter of Nazi sympathizers. This was Mieke's mother. She would be left on the street in front of her sealed home as her parents were taken away and imprisoned in the same camps where the country’s Jews had recently been held. Many years later, Mieke’s parents met, got married, and moved to California, where she and her siblings were born. While her parents lived far from the events of their past, the effects of the war would continue to be felt in their daily lives and in the lives of their children.

All Ships Follow Me moves from Indonesia to the Netherlands to the United States, and spans generations as Mieke recounts her parents' lives during and after the war, and travels with them in the present day to the sites of their childhood in an attempt to understand their experiences and how it formed them. All Ships Follow Me is a deeply personal, sweeping saga of the wounds of war, and the way trauma can be passed down through generations.

In spiritul filmului In camera intunecata a lui Susan Faludi si Iepura lui Edmund de Waal cu ochii de chihlimbar vine o saga captivanta, epica, a experientelor unei familii de pe ambele parti ale celui de-al doilea razboi mondial, punand sub semnul intrebarii notiunile noastre de victima si faptas si efectele durabile ale razboiului si traume prin generatiile unei singure familii. In martie 1942, tatal lui Mieke Eerkens era un baiat de zece ani care traia in Indiile de Est olandeze.