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Castration and castrati have always been facets of western culture, from myth and legend to law and theology, from eunuchs guarding harems to the seventeenth- and eighteenth-century castrati singers. Metaphoric castration pervades a number of medieval literary genres, particularly the Old French fabliaux - exchanges of power predicated upon the exchange or absence of sexual desire signified by genitalia - but the plain, literal act of castration and its implications are often overlooked. This collection explores this often taboo subject and its implications for cultural mores and custom in Western Europe, seeking to demystify and demythologize castration. Its subjects include archaeological studies of eunuchs; historical accounts of castration in trials of combat; the mutilation of political rivals in medieval Wales; Anglo-Saxon and Frisian legal and literary examples of castration as punishment; castration as comedy in the Old French fabliaux; the prohibition against genital mutilation in hagiography; and early-modern anxieties about punitive castration enacted on the Elizabethan stage. The introduction reflects on these topics in the context of arguably the most well-known victim of castration in the middle ages, Abelard. Larissa Tracy is Associate Professor of Medieval Literature at Longwood University. Contributors: Larissa Tracy, Kathryn Reusch, Shaun Tougher, Jack Collins, Rolf H. Bremmer Jr, Jay Paul Gates, Charlene M. Eska, Mary A. Valante, Anthony Adams, Mary E. Leech, Jed Chandler, Ellen Lorraine Friedrich, Robert L.A. Clark, Karin Sellberg, Lena W�nggren
EdituraBoydell & Brewer Ltd
Dimensiuni158 x 233 x 22
Data Publicarii15/03/2019
Format
Necartonata
Numar pagini365
Aceasta este o carte in limba engleza. Descrierea cartii (tradusa din engleza cu Google Translate) este in limba romana din motive legale.
Castrarea si castrati au fost intotdeauna fatete ale culturii occidentale, de la mit si legenda la lege si teologie, de la eunucii care pazesc haremurile pana la cantaretii castrati din secolul al XVII-lea si al XVIII-lea. Castrarea metaforica strabate o serie de genuri literare medievale, in special fabliaux-urile franceze vechi - schimburi de putere bazate pe schimbul sau absenta dorintei sexuale semnificate de organele genitale - dar actul simplu si literal al castrarii si implicatiile sale sunt adesea trecute cu vederea.