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This Element explores Jacques Derrida's concept of 'hauntology' and its connection to experimental music. Focusing on the 1960s, it examines how composers like John Cage and Luigi Nono used records and tape in composition. The Element delves into lost futures, past usage and the future implications of hauntological music.
EdituraCambridge University Press
Dimensiuni
Data Publicarii31/01/2026
FormatNecartonata
Numar pagini75
Aceasta este o carte in limba engleza. Descrierea cartii (tradusa din engleza cu Google Translate) este in limba romana din motive legale.