Cheviot, the Stag and the Black, Black Oil

It's a story that has a beginning, a middle, but as yet, no end.

John McGrath's winding, furious, innovative play tracks the economic history and exploitation of the Scottish Highlands from the post-Rebellion suppression of the clans to the story of the Clearances: in the 19th century, aristocratic landowners discovered the profitability of sheep farming, and forced a mass emigration of rural Highlanders, burning their houses in order to make way for the Cheviot sheep.

Described by the playwright as having a “ceilidh” format, The Cheviot, the Stag and the Black, Black Oil draws on historical research alongside Gaelic song and the Scots' love of variety and popular entertainment to tell this epic story.

A totally distinctive cultural and theatrical phenomenon, the play championed several new approaches to theatre, raising its profile as a means of political intervention; proposing a collective and collaborative approach to creating theatre; offering a language of performance accessible to working-class people; producing theatre in non-purpose-built theatre spaces; breaking down the barrier between audience and performers through interaction; and taking theatre to people who otherwise would not access it.

The play received its premiere in 1973 by the agit-prop theatre group 7:84.


Methuen Drama's iconic Modern Plays series began in 1959 with the publication of Shelagh Delaney's A Taste of Honey and has grown over six decades to now include more than 1000 plays by some of the best writers from around the world. This new special edition hardback of The Cheviot, the Stag and the Black, Black Oil was published to celebrate 60 years of Methuen Drama's Modern Plays in 2019, chosen by a public vote.

Este o poveste care are un inceput, un mijloc, dar inca nu are sfarsit. Piesa sinuoasa, furioasa si inovatoare a lui John McGrath urmareste istoria economica si exploatarea Highlands scotiene de la suprimarea post-rebeliune a clanurilor pana la povestea Eliberarilor: in secolul al XIX-lea, proprietarii de terenuri aristocratici au descoperit profitabilitatea cresterii oilor si au fortat o emigratie in masa a Highlanderilor din mediul rural, arzandu-si casele pentru a face loc oilor Cheviot. Descrisa de dramaturg ca avand un format „ceilidh”, Cheviot, Cerbul si Negrul, Black Oil se bazeaza pe cercetarile istorice alaturi de cantecul gaelic si dragostea scotienilor pentru varietate si divertisment popular pentru a spune aceasta poveste epica. Un fenomen cultural si teatral total distinct, piesa a sustinut mai multe abordari noi ale teatrului, sporindu-si profilul ca mijloc de interventie politica; propunerea unei abordari colective si colaborative pentru crearea teatrului; oferirea unui limbaj de performanta accesibil oamenilor din clasa muncitoare; producerea de teatru in spatii de teatru ne-construite; ruperea barierei dintre public si interpreti prin interactiune; Piesa a primit premiera in 1973 de grupul de teatru agit-prop 7: 84. Seria iconica Modern Plays a lui Methuen Drama a inceput in 1959 cu publicarea A Taste of Honey a lui Shelagh Delaney si a crescut de-a lungul a sase decenii pentru a include acum peste 1000 de piese ale unora dintre cei mai buni scriitori din intreaga lume.