CITESTE MAI MULT
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Descriere RO
Revealing the power of color as physical medium, a key to interpretation, and a mediator of social and political change
This expansive study of color illuminates the substance, context, and meaning of five centuries of European painting. Between the mid-15th and the mid-19th centuries, the materials of painting remained remarkably unchanged, but innovations in their use flourished. Technical discoveries facilitated new visual effects, political conditions prompted innovations, and economic changes shaped artists’ strategies, especially as trade became global.
Marcia Hall explores how Michelangelo radically broke with his contemporaries’ harmonizing use of color in favor of a highly saturated approach; how the robust art market and demand for affordable pictures in 17th-century Netherlands helped popularize subtly colored landscape paintings; how politics and color became entangled during the French Revolution; and how modern artists liberated color from representation as their own role transformed from manipulators of pigments to visionaries celebrated for their individual expression. Using insights from recent conservation studies, Hall captivates readers with fascinating details and developments in magnificent examples—from Botticelli and Titian to Van Gogh and Kandinsky—to weave an engaging analysis. Her insistence on the importance of examining technique and material to understand artistic meaning gives readers the tools to look at these paintings with fresh eyes.
EdituraYale University Press
Dimensiuni286 x 219 x 26
Data Publicarii14/05/2019
Format
Cartonata
Numar pagini304
Aceasta este o carte in limba engleza. Descrierea cartii (tradusa din engleza cu Google Translate) este in limba romana din motive legale.
Dezvaluind puterea culorii ca mediu fizic, o cheie a interpretarii si un mediator al schimbarilor sociale si politice. Acest studiu expansiv al culorii lumineaza substanta, contextul si sensul a cinci secole de pictura europeana. Intre mijlocul secolului al XV-lea si mijlocul secolului al XIX-lea, materialele picturii au ramas remarcabil de neschimbate, dar inovatiile in utilizarea lor au inflorit.