Reading the Male Gaze in Literature and Culture

This book examines the phenomenon of 'the male gaze', a concept which has spread beyond academia and become a staple of cultural conversations across disciplinary boundaries.
Male gazing has typically been disparaged and even stigmatized as a reflection of misogyny and an instrument of objectification, often justifiably so. But as this book argues and illustrates, male gazing can also be understood as an illuminating, intellectually engaging, aesthetically compelling, and even politically progressive practice. This study recounts how the author's own coming-of-an-age as a gazer became the basis for his long career teaching and writing about American fiction and poetry and poetry, canonical and contemporary, as well as about film, painting, TV, and rock-and-roll. It includes closely-reasoned analyses of work by James Baldwin, Rembrandt, Willa Cather, Philip Roth, Henry James, Charles Chesnutt, Bob Dylan, Robert Stone, Tim O'Brien, Edith Wharton, Theodore Dreiser, Frank O'Hara, Italo Calvino, John Schlesinger as well such cultural phenomena as the British Invasion of the 1960s, the Judgment of Paris in Greek mythology, the technology of seeing (kaleidoscopes, microscopes, telescopes) and the concept of 'objectification' itself.

Aceasta carte examineaza fenomenul „privirii masculine”, un concept care s-a raspandit dincolo de mediul academic si a devenit un element esential al conversatiilor culturale peste granite disciplinare. Privirea la barbati a fost de obicei dispretuita si chiar stigmatizata ca reflectare a misoginiei si a unui instrument de obiectivare, deseori in mod justificat. Dar asa cum sustine si ilustreaza aceasta carte, privirea masculina poate fi inteleasa si ca o practica iluminatoare, captivanta din punct de vedere intelectual, estetic convingatoare si chiar progresiva din punct de vedere politic.