CITESTE MAI MULT
Detalii
Descriere RO
He brought glamour and imagination into the sport of mountaineering as few guides have done before him. Recalling his personality and amusing stories one should not forget that his approach to mountains was first and foremost an aesthetic one; he saw a peak first as something beautiful—the technical problem was always secondary — and nothing counted beside that vision.
Of all the mountain guides who came to Canada in the late 19th and early 20th centuries, Conrad Kain is probably the most respected and well known. In this internationally anticipated reissue of Where the Clouds Can Go—first published in 1935, with subsequent editions in 1954 and 1979-Rocky Mountain Books has accentuated the original text with an expanded selection of over 50 archival images that celebrate the accomplishments of Conrad Kain in the diverse mountain landscapes of North America, Europe and New Zealand. The new foreword by acclaimed mountaineer and filmmaker Pat Morrow puts Kain's mountaineering adventures, numerous explorations and devout appreciation of nature into a contemporary context, ensuring that the exploits of this remarkable individual will remain part of international mountain culture for years to come.
To commemorate the 100th anniversary of Kain's arrival in Canada, the Conrad Kain Centennial Society was formed in 2008 to celebrate his many achievements and to develop legacy projects in his memory. This expanded edition of Kain's book will help carry his passion for mountaineering to a new generation of readers and adventurers.
EdituraRocky Mountain Books
Dimensiuni233 x 153 x 33
Data Publicarii05/06/2009
Format
Numar pagini560
Aceasta este o carte in limba engleza. Descrierea cartii (tradusa din engleza cu Google Translate) este in limba romana din motive legale.
A adus glamour si imaginatie in sportul alpinismului, asa cum au facut-o putini ghizi inaintea lui. Amintindu-si personalitatea si povestile amuzante, nu trebuie sa uitam ca abordarea sa catre munti a fost in primul rand una estetica; a vazut mai intai un varf ca fiind ceva frumos - problema tehnica a fost intotdeauna secundara - si nimic nu a contat in afara de aceasta viziune.